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Gilt Pooled Lattice

Style #689 · Painterly · sample rendered with flux-1.1-pro

Sample image in the Gilt Pooled Lattice style

Other models

The same style prompt and the same subject, rendered by a different model.

The Gilt Pooled Lattice style rendered with gpt-image-2-low

gpt-image-2-low

The Gilt Pooled Lattice style rendered with muse-image-1.0

muse-image-1.0

Style prompt

Sakai Hōitsu + Harry Clarke + Admiralty Persian Gulf survey charts of the 1900s, where Hōitsu's tarashikomi pooling over metal-leaf ground creates mottled, cloud-edged pigment pools with burnished flecks through wet-into-wet dropping, Clarke's stained-glass drawing produces jewel-like transmitted density via fine scratched leading lines, and the survey charts infuse hairline rhumb-line webs and stippled sounding-numeral fields. The fusion manifests as gilt linework over mottled grounds, dotted shoal contours with hachured margins, and thin radiating geometry, transforming any subject through flattened, ornamentally dense handling.

Model-neutral prompt

Same look, with artist names and copyrighted references removed — clears content filters.

Rinpa-school tarashikomi on gold-leaf ground + Irish Arts and Crafts stained-glass illustration + early twentieth-century hydrographic survey charts, where wet-into-wet pigment pooling over metal-leaf ground creates mottled, cloud-edged pools with burnished flecks, scratched stained-glass leading produces jewel-like transmitted density via fine dark hairline drawing, and survey-chart convention infuses hairline rhumb-line webs and stippled sounding-numeral fields. The fusion manifests as gilt linework over mottled grounds, dotted shoal contours with hachured margins, and thin radiating geometry, transforming any subject through flattened, ornamentally dense handling.

Effect-only prompt

The same look with the recipe removed — no artists, no wild card, no movements. Describes only what the style does to a surface.

Mottled, cloud-edged pigment pools settle into a metallic leaf ground with burnished flecks showing through. Fine dark scratched lines hold each area like leading, so colour glows with a backlit density. Hairline straight lines radiate across the surface in a thin net, with dotted contours, short hatched margins and scattered pinprick marks. Gilt linework sits crisp over soft stains, and depth stays flat and ornamental.

Tags

CategoryPainterly

MovementsNihongaArt NouveauSymbolism

ArtistsSakai HōitsuHarry Clarke

TechniquesWet-on-WetGold LeafStipplingTranslucent LayeringLinework

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