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Neon Ivory Hatchwork

Style #693 · Print/Graphic · sample rendered with flux-1.1-pro

Sample image in the Neon Ivory Hatchwork style

Other models

The same style prompt and the same subject, rendered by a different model.

The Neon Ivory Hatchwork style rendered with gpt-image-2-low

gpt-image-2-low

The Neon Ivory Hatchwork style rendered with muse-image-1.0

muse-image-1.0

Style prompt

Franklin Booth + Tadanori Yokoo + Constantinopolitan consular ivory diptychs, where Booth's pen hatching creates continuous tone through parallel lines that swell and taper, Yokoo's screenprint collage produces hard-edged overprint via fluorescent magenta and cyan inks misregistered over a black key, and consular ivory carving infuses shallow stepped relief with undercut shadow and fine grain striations. The fusion manifests as coarse dot-screen gradients, incised ruled keylines, and flat carved planes, transforming any subject through engraved line under neon offset.

Model-neutral prompt

Same look, with artist names and copyrighted references removed — clears content filters.

Early twentieth-century pen-and-ink engraving-style illustration + 1960s Japanese psychedelic screenprint poster art + late Roman carved ivory diptych relief, where pen hatching creates continuous tone through parallel lines that swell and taper, screenprint collage produces hard-edged overprint via fluorescent magenta and cyan inks misregistered over a black key, and ivory carving infuses shallow stepped relief with undercut shadow and fine grain striations. The fusion manifests as coarse dot-screen gradients, incised ruled keylines, and flat carved planes, transforming any subject through engraved line under neon offset.

Effect-only prompt

The same look with the recipe removed — no artists, no wild card, no movements. Describes only what the style does to a surface.

Tone is built entirely from parallel pen lines that swell and taper, with no soft washes. Fluorescent magenta and cyan inks overprint a black key plate, slipping slightly off register, and coarse dot-screen gradients fade between them. Surfaces read as shallow stepped relief, with crisp undercut shadow edges, incised ruled borders and fine striated grain running through flat planes.

Tags

CategoryPrint/Graphic

MovementsGolden Age IllustrationPop ArtByzantine

ArtistsFranklin BoothTadanori Yokoo

TechniquesPen and InkScreen PrintingMisregistrationHalftoneEngraving

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