Oxblood Gilt Patina
Style #639 · Painterly · sample rendered with flux-1.1-pro
Other models
The same style prompt and the same subject, rendered by a different model.
gpt-image-2-low
muse-image-1.0
Style prompt
Anselm Kiefer + Mark Rothko + gold leaf distressed over red bole, where Kiefer's encrusted, scraped surfaces create pitted mottled texture through scumbling, dry-brush flecking and hairline sgraffito scratches, and Rothko's stacked translucent glazes produce an inner glow through thin veils with soft tonal transitions, and the leaf infuses broken metallic flecks where worn gilding lets red bole show through. The fusion manifests as a restricted alizarin, burnt umber, ivory black and tarnished gold palette, glowing low-key values, and abraded patina, transforming any subject through oxidised, weathered handling.
Model-neutral prompt
Same look, with artist names and copyrighted references removed — clears content filters.
Neo-expressionist encrusted material painting + colour-field glaze painting + gold leaf distressed over red bole, where encrusted, scraped surfaces create pitted mottled texture through scumbling, dry-brush flecking and hairline sgraffito scratches, and stacked translucent glazes produce an inner glow through thin veils with soft tonal transitions, and the leaf infuses broken metallic flecks where worn gilding lets red bole show through. The fusion manifests as a restricted alizarin, burnt umber, ivory black and tarnished gold palette, glowing low-key values, and abraded patina, transforming any subject through oxidised, weathered handling.
Effect-only prompt
The same look with the recipe removed — no artists, no wild card, no movements. Describes only what the style does to a surface.
A heavily worked surface of mottled, pitted texture, scraped and flecked with dry, broken marks and fine hairline scratches. Thin translucent veils of deep crimson and umber build a soft inner glow out of dark values. Worn metallic flecks of tarnished gold break across the surface, with red showing through the abrasions, and the palette stays restricted and oxidised.