Scratched Gauze Overlay
Style #692 · Print/Graphic · sample rendered with flux-1.1-pro
Other models
The same style prompt and the same subject, rendered by a different model.
gpt-image-2-low
muse-image-1.0
Style prompt
Jaromír Funke + Antoni Tàpies + a bootleg Caribbean cable relay of a Miami variety show, where Funke's multiple-exposure layering creates overlapping translucent planes through stacked silvery gradations, Tàpies's sgraffito produces crusted, scratched surfaces via incised scoring into dry scumbled pigment, and the cable relay infuses flat opaque chyron bars, bevelled block lettering and a ghosted corner logo. The fusion manifests as near-monochrome values with one saturated accent, hard-edged flat overlays against soft transparent veils, and interlace tearing, transforming any subject through gauzy layering punctured by crude broadcast graphics.
Model-neutral prompt
Same look, with artist names and copyrighted references removed — clears content filters.
Czech 1920s-30s avant-garde multiple-exposure photography + Catalan art informel matter painting + a bootleg Caribbean cable relay of a Miami variety show, where multiple-exposure layering creates overlapping translucent planes through stacked silvery gradations, incised sgraffito produces crusted, scratched surfaces via scoring into dry scumbled pigment, and the cable relay infuses flat opaque chyron bars, bevelled block lettering and a ghosted corner logo. The fusion manifests as near-monochrome values with one saturated accent, hard-edged flat overlays against soft transparent veils, and interlace tearing, transforming any subject through gauzy layering punctured by crude broadcast graphics.
Effect-only prompt
The same look with the recipe removed — no artists, no wild card, no movements. Describes only what the style does to a surface.
Near-monochrome silvery greys stack as overlapping translucent planes, with edges dissolving into haze wherever layers cross. Surfaces are crusted and scored, with scratched lines and dry scumbled grit catching raking light. Over this sit hard-edged flat opaque bars, bevelled blocky lettering with drop shadow and a faint ghosted mark in one corner, while interlace tearing breaks the high-contrast edges and a single saturated accent supplies the only colour.