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Oxblood Overprint Glow

Style #734 · Print/Graphic · Film Noir, Poster Art, Pop Art

Sample image in the Oxblood Overprint Glow style
Rendered with FLUX 1.1 pro

A print/graphic AI art style prompt drawing on Film Noir and Poster Art. Copy the prompt below into any text-to-image model, then add your own subject at the end. The prompt only describes the look.

The blend

The prompt combines 3 ingredients and gives each one a job:

The fusion manifests as rim-lit contours, flat graphic fills and bloom-edged highlights, transforming any subject through poster-flat tonal simplification.

On 4 models

The same prompt and the same subject, rendered by different image models — so the differences are the model, not the prompt.

The Oxblood Overprint Glow style rendered with FLUX 1.1 pro
FLUX 1.1 pro · the main image
The Oxblood Overprint Glow style rendered with Muse 1.0
Muse 1.0
The Oxblood Overprint Glow style rendered with Nano Banana 2.1
Nano Banana 2.1
The Oxblood Overprint Glow style rendered with GPT-Image-2
GPT-Image-2

The prompt

Original

Alex Maleev + Kevin Tong + overprinted screen print on toned stock, where Maleev's photo-referenced noir inking creates dense hard-edged shadow masses that collapse mid-values into a few posterised steps, and Tong's gig-poster colour separation produces a restricted ochre, oxblood and black ink set with a single saturated cyan note held against it, and the print process infuses speckled grain and mottled ink density. The fusion manifests as rim-lit contours, flat graphic fills and bloom-edged highlights, transforming any subject through poster-flat tonal simplification.

Render on BudgetPixel: FLUX 1.1 pro · GPT-Image-2 · Muse 1.0 · Nano Banana 2.1

Model-neutral

The same look with artist names and copyrighted references removed — for models that refuse them.

Photo-referenced comic noir inking + gig-poster screenprint colour separation + overprinted screen print on toned stock, where dense hard-edged shadow masses collapse mid-values into a few posterised steps, and a restricted ochre, oxblood and black ink set holds a single saturated cyan note against it, and the print process infuses speckled grain and mottled ink density. The fusion manifests as rim-lit contours, flat graphic fills and bloom-edged highlights, transforming any subject through poster-flat tonal simplification.

Render on BudgetPixel: FLUX 1.1 pro · GPT-Image-2 · Muse 1.0 · Nano Banana 2.1

Effect only

The recipe removed — no artists, no wild card, no movements. Only what the style does to a surface.

Dense hard-edged shadow masses collapse mid-values into a few flat tonal steps, with rim-lit contours and bloom-edged highlights cutting the silhouettes free. Inks are restricted to ochre, oxblood and black, broken by one saturated cyan accent. Speckled grain and mottled density sit in the overprinted layers, and every form resolves through poster-flat simplification, flat graphic fills and abrupt value transitions.

Render on BudgetPixel: FLUX 1.1 pro · GPT-Image-2 · Muse 1.0 · Nano Banana 2.1

Using it

Tags

CategoryPrint/Graphic

MovementsFilm NoirPoster ArtPop Art

ArtistsAlex MaleevKevin Tong

TechniquesScreen PrintingLimited PaletteHigh ContrastFlat ColorRim Lighting

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