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Scanline Wool Facet

Style #725 · Print/Graphic · Cubism, Mid-Century Modern

Sample image in the Scanline Wool Facet style
Rendered with FLUX 1.1 pro

A print/graphic AI art style prompt drawing on Cubism and Mid-Century Modern. Copy the prompt below into any text-to-image model, then add your own subject at the end. The prompt only describes the look.

How this one was made: Six styles with a pop-culture wild card

The blend

The prompt combines 3 ingredients and gives each one a job:

The fusion manifests as stair-stepped edges, two-colour cell limits, and visible stroke grain, transforming any subject through stitched-pixel handling.

On 4 models

The same prompt and the same subject, rendered by different image models — so the differences are the model, not the prompt.

The Scanline Wool Facet style rendered with FLUX 1.1 pro
FLUX 1.1 pro · the main image
The Scanline Wool Facet style rendered with GPT-Image-2
GPT-Image-2
The Scanline Wool Facet style rendered with Muse 1.0
Muse 1.0
The Scanline Wool Facet style rendered with Nano Banana 2.1
Nano Banana 2.1

The prompt

Original

Jean Lurçat + Alexandra Exter + a hand-soldered Soviet ZX Spectrum clone on a household CRT television, where Lurçat's coarse-weave hatching creates stepped tonal bands through parallel directional strokes in a numbered wool palette, Exter's faceted colour planes produce interlocking angular rhythms via hard diagonal cuts between flat fills, and the Spectrum clone infuses attribute clash, each 8x8 cell holding only two colours with hard-bled borders and faint scanline shimmer. The fusion manifests as stair-stepped edges, two-colour cell limits, and visible stroke grain, transforming any subject through stitched-pixel handling.

Render on BudgetPixel: FLUX 1.1 pro · GPT-Image-2 · Muse 1.0 · Nano Banana 2.1

Model-neutral

The same look with artist names and copyrighted references removed — for models that refuse them.

Mid-century French woven wool tapestry + Kyiv Cubo-Futurist faceted colour-plane painting + chunky 1980s home-computer pixel colour, saturated primaries against black with bled borders and CRT shimmer, where coarse-weave hatching creates stepped tonal bands through parallel directional strokes in a numbered wool palette, angular colour planes produce interlocking rhythms via hard diagonal cuts between flat fills, and the pixel colour look infuses clash, each square cell holding only two colours with hard-bled borders and faint scanline shimmer. The fusion manifests as stair-stepped edges, two-colour cell limits, and visible stroke grain, transforming any subject through stitched-pixel handling.

Render on BudgetPixel: FLUX 1.1 pro · GPT-Image-2 · Muse 1.0 · Nano Banana 2.1

Effect only

The recipe removed — no artists, no wild card, no movements. Only what the style does to a surface.

Forms are built from parallel directional strokes in contrasting tones, stacked into stepped bands with a coarse woven grain. Flat fills are split by hard diagonal cuts into interlocking angular planes. Colour is confined to square cells that each hold only two hues, so borders bleed and clash. Edges climb in stair-steps, with faint horizontal scanline shimmer across every surface.

Render on BudgetPixel: FLUX 1.1 pro · GPT-Image-2 · Muse 1.0 · Nano Banana 2.1

Using it

Tags

CategoryPrint/Graphic

MovementsCubismMid-Century Modern

ArtistsJean LurçatAlexandra Exter

TechniquesCrosshatchingFlat ColorHard-EdgeLimited PaletteColor Blocking

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